LOT 902 James "Jim" Pandy Catalogue: Modern Southeast Asian Art
LIVE STREAMING - 27 April 2025

LOT 902

James "Jim" Pandy
(1916 - 1982, European)

Balinese Temple
painted in 1963
mixed media on paper
19 x 27 cm
signed and dated on lower left


S$ 300 - 400
US$ 228 - 304

Pick up point: Jakarta

Jimmy C. Pandy: A Life Curated in Color and Contrast

James Clarence Pandy, better known in the art world as Jimmy C. Pandy, was more than a gallerist—he was a curator of dreams, a storyteller of brushstrokes, and a magnetic presence in the heart of Bali’s creative tide.

Born under the pallor of northern skies, Jimmy carried a fire within him that no latitude could dim. From a young age, he seemed to collect moments like others collect art: with reverence, curiosity, and a keen eye for the extraordinary hidden in the everyday. He was drawn to textures—the crumbling paint on city walls, the coarse fabric of old jazz vinyls, the oil-heavy sheen of canvas stretched taut across a wooden frame.

Jimmy’s path took him from the damp galleries of London to the golden shores of Indonesia, where he found his truest muse: Bali. It was there, among the volcanic sands, temple shadows, and jungle whispers, that he established Galerie Pandy, an intimate, sun-drenched space where the sacred and the surreal were given room to breathe.

At the gallery, Jimmy was not just a dealer of art—he was a conductor of culture, harmonizing the ancient Balinese spirit with the raw voices of contemporary creators. He championed emerging talent, especially local artists, offering them not only walls but wings. It was, in fact, Jimmy Pandy who convinced Arie Smit to come to Bali. His curations were known to stir the soul: an oil painting beside a ceremonial mask, an installation humming beside a silent stone carving—each exhibition was a living, pulsing poem.

Jimmy C. Pandy lives on in the stories told over arak cocktails, in the brushstrokes of a generation he helped unearth, and in every soul brave enough to call chaos a canvas.

Condition Report

The drawing and papers are in good condition. There are no signs of creasing, tearing, foxing or watermarks on the paper. Minor scratches on the center. The drawing is offered with frame.


Please note that this report has been compiled by Larasati staff based solely on their observation on the work. Larasati specialists are not professional conservators; thus the report should be treated only as an expression of opinion and not as a statement of fact. We suggest that you consult your own restorer for a more thorough report. We remind you again that all work is sold 'as is' and should be viewed personally by you or your professional adviser before the sale to assess its condition.

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